This taller is proposed as a space to honour the work of MediaLab Prado’s community of women and QTI/GNC people. Much like a map is an excuse for us to get lost, this taller is an excuse for us to come together to reflect on our own individual practices and in the exchange of our stories, find ways of being together and supporting each other.

‘Perhaps it is the struggle that gives us the resources we need to build more just worlds. These resources might include a certain willingness to cause trouble, but they also involve humour, laughter, dance, loving and eating: all the ways we have to

7pm Thursday, May 7 2026 
Lecture by Martyna Marciniak 
Presentation of LAB 5: The Mechanics of Truth
(free event) 

4pm – 8pm Friday, May 8, 2026 
12pm – 8pm Saturday, May 9, 2026 
Workshop (registration required) 
 

The workshop is an introduction to the visual literacy methods necessary for tackling the topic of visual misinformation. Drawing on her experience as an artist, 3D designer, and forensic researcher, Martyna Marciniak will introduce the participants to a range of techniques for identifying synthetic images and their characteristics: from basic strategies of image

7pm Thursday, June 25, 2026
Talk by Júlia Nueno Guitart and Lucia Rebolino
(public event, free entry)

4pm - 8pm Friday, June 26, 2026
12pm - 8pm Saturday, June 27, 2026
Workshop (with registration)

 

Facts are not natural occurrences; they are carefully assembled. For a long time, this assembly was anchored in the visible—a photograph, a physical map, or a witness account. Today, however, these forms of evidence exist alongside a new, digital architecture of truth. Deep within this black box, states and corporations manufacture the facts that sustain their imaginaries.

This production

The Edita tu Deuda edition marathon aims to improve the focus, quality and number of articles on debt, debt types and related content, as well as economic concepts and jargon, which are normally described in a technical and incomprehensible way for citizens. The aim of the edition is to increase public knowledge about debt and the economy with a much closer language and from a social perspective, given the direct relationship between the economy and the well-being of the population. Another of the objectives of this edition is to raise public awareness of the need for greater transparency and

Gala Hernández López combines filmmaking and research to produce poetic and oneiric works in which documentary elements intertwine with subtle layers of speculative fiction and an observation of the material reality of computational capitalism.

In her work, Gala examines the imaginaries and narratives circulating within the discourse of technological innovation, as well as the possible futures —the “futurabilities”— suggested by technologies presented as revolutionary. She approaches them not only in their technical nature, but also as stories infused with fiction that eventually permeate