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10th - 25th May
Shall we build a greener future? Interactivos? '18 and more!
Approach Interactivos?'18 by Franco Llobera
Introduction Waste is a huge challenge for the 21st century as it is a necessary resource. However, in the oceans we have created useless floating islands of plastics, and mammals...
AVLab Meeting, March 2018. IN-SONORA 10: Sonic and interactive art festival, 10th edition.
Actuación en directo
Desde las 18:00 hasta 21:00 el 24/03/2018
This AVLab meeting will begin with the presentation of the work of the resident Gabi Schaffner, whose residence within IN-SONORA 10 seeks to put a different perspective on the role that nature and a
AVLab Meeting February 2018. VANG#5. DISOBEDIENCES IN SOUND
23 de Febrero del 2018
Panel and Performance Disobediences in sound is a musical exploration of the convergence between sound, noise and resistance. Noise as a sound image that denies a pre-established (musical? social?)
Interactivos? Birmingham 2014
SYNTHETIC MIXTAPE #04 - LAB#03 OST
Claude Speeed’s original soundtrack of Medialab’s LAB#03 For the fourth track of the original soundtrack of the LAB#03, Claude Speeed has collaborated with Brandon Tay. Brandon Tay is a Singaporean...
Synthetic Minds Podcast #1: Infraestructural Horror
A podcast series on how large-scale computation not only responds to human intelligence but also shapes it in new and profound ways. In the first episode we discuss with artist...
Synthetic Minds Podcast
Podcast investigating new cognitive landscapes and reframing the concept of "mind". This podcast series, hosted by researcher and curator Bani Brusadin, aims to explore the realm of contemporary computation, delving...
SYNTHETIC MIXTAPE #03 - LAB#03 OST
For the third track of the original soundtrack of the LAB#03, Claude Speeed has collaborated with Nani Gutiérrez. Nani Gutiérrez is a visual artist based in Berlin, currently enrolled in...
The multidisciplinary artist will develop her project Friedman in Iran during her stay at Medialab. Bahar Noorizadeh looks at the relationship between art and capitalism. In her practice as an...