Stephanie Sherman curates scenarios, fictions, and infrastructures that re-organize the texts and contexts of culture and society. Often working with and within abandoned sites, her projects repurpose existent media to transform spaces of consumption into places for creative connection and co-production. Through collaborations with artists, scholars, designers, neighbors, and institutions, Stephanie’s projects create autopoetic systems for generating social knowledge, invention, participation, learning, and inquiry. These explorations and experiments compose a regenerative creative and critical research practice premised on incessant invention, play, and re-composition. She believes that there is an art to everything.