CITIZEN PARTICIPATION IN THE 2030 AGENDA AND THE SDGs: new narratives for local and global transformation.

The objective of the meeting is to promote a space for reflection, dialogue and collaboration in the context of citizen laboratories and thus be able to discover citizen participation strategies for the SDGs and the 2030 Agenda in Medialab. As part of the research "Citizen Narratives on the 2030 Agenda and the Sustainable Development Goals" developed in Medialab, we invite all groups, entities, organizations and citizens interested in building new collective imaginaries about social transformation in favor of a good common.

What are we going to do?
* We will work on the concept of the

Citizen participation planning hub

The project will create a hands on planning and tracking tool to facilitate citizen participation processes with emphasis on representations of the groups with least power. It will provide a skeleton of horizontal methodology by building on the methods and experience of Community Voices Heard and...

Citoyen 2.0

Citoyen 2.0 is a web platform for citizen participation. Citoyen2.0 is powered by CONSUL APP, the app behind DECIDE Madrid. The context of Burkina Faso in West Africa is unique. In fact, Burkina Faso as gone through an insurection in 2014, followed by a Coup in 2015 all these preceded by 27 years of...

Cognitive Warfare: Design your own Neuroweapon

7pm Thursday, June 4, 2026
Cognitive Warfare: The Brain is the new Battlefield (talk, free for everyone)


12pm - 8pm Friday, June 5, 2026
12pm - 8pm Saturday, June 6, 2026
Cognitive Warfare: Design your own Neuroweapon (workshop, with registration)


 

If the public sphere has mutated into a landscape of psyops (psychological operations) how do we navigate the transition from passive targets to active architects of cognitive influence? Cognitive Warfare: Design your own Neuroweapon is a two-day intensive workshop that moves from theory to speculative practice, challenging participants to

Collaboration tools and formats during confinement.

Discussion session within the course How to set up a citizen laboratory and build collaboration networks in which Victoria Palacín and Pablo Ruiz Múzquiz will talk about collaboration tools and formats that have been used during the Pandemic.

Collaborative cooking workshop 'Cocina tu Deuda' (Cook your Debt)

In this workshop, directed by Cocinar Madrid, we will cook a delicious menu among all the participants, which we will then share and taste. While we peel potatoes and cut carrots we will be launching concepts: food sovereignty, ecological debt, kilometric food, gender debt... We will talk about how and under what conditions food is produced, where it comes from, what social and ecological costs it has. Together we will elaborate and cook, at the same time that we cook the food, the definitions of these concepts and knowledge to share them and to be able to debate while we enjoy the delicacies

Collage of Hybridities.  Po-Hao Chi's s proposal for his residency at Medialab Prado

Collage of Hybridities

Po-Hao Chi's proposal for his residency at Medialab Prado is to design a collaborative, DIY-style musical interface that transforms fragments of online/offline experiences from the artists' and collaborators' everyday lives into an assemblage of embodied sensory trajectories.

Collision I

ARTISTAS INVITADOS/AS:

Osvaldo Cibils
osvaldo cibils en el arte de las perillas (the art of knobs)”

“Noisy soundart with electronic gadgets and the body exaggerated with things.”
https://www.instagram.com/osvaldocibilsosvaldocibils/?hl=es

Osvaldo Cibils nace en Montevideo (Uruguay) vive en Trento, Italia y Barcelona. Sus obras de arte están orientadas a la realización y producción de dibujos en papel de formato A4 y digitalización, al sonido ruidoso con dispositivos y software electrónicos, videoperformances y el desarrollo de varios proyectos con un fuerte carácter experimental.

Collision II

ARTISTAS INVITADOS/AS:

Patiño
Actually Laughing Out Loud
www.patooo.net

Actually Laughing Out Loud es un proyecto de Rubén Patiño que explora las cualidades formales y funcionales del sonido de la risa. Se centra en el estudio de la risa grabada como material sonoro para la composición a la vez que como instrumento para el condicionamiento psicológico. Ya sea como instalación o concierto multicanal su intención es la de sumergir a la audiencia dentro de una experiencia inmersiva de luz y sonido. Se trata de un formato de presentación a medio camino entre concierto multicanal y la