The "Experimental Lutheria. Collective construction of a hybrid string and electromagnetism instrument" by artist Jonathan García Lana a.k.a. Tunipanea. It is a previous part of the AVLab, IN-SONORA XII meeting that will be presented in the afternoon.

Live coding refers to the creation and modification of algorithms with a creative purpose in real time often in the presence of a physical or virtual audience. The community is diverse and seeks to engage in a wide cross-section of artistic practices including but not limited to music, audiovisual creation, performance, robotics, dance, scientific research and education.

Live coding is primarily developed inside the free culture movement, and encourages self creativity rather than cultural consumption. Also diversity inclusion and respect has always been considered a fundamental part of the

MADATAC X, under the motto "Post Digital Star" brings to Medialab Prado artists Albert Merino and "Saint Machine", who will show their latest works and discuss their creative processes, common problems and current developments.

The 3-day workshop aims to reflect upon acoustics as a framework that, by lending to the shaping of social and spatial environments, greatly impacts onto experiences of belonging and unbelonging. Extending from Jacques Rancière’s notion of “the distribution of the sensible,” we’ll consider how communities rework “the distribution of the heard” by intervening onto a dominant acoustic. This includes reflecting upon different forms of acoustic practices, from self-organized dance clubs to silent protests conducted against economic injustices to fostering affective economies of domestic life.

A

jjj