The perception of the world has always been a contested territory. But why has it become so easy—and at the same time so difficult—to believe in what we see? The current proliferation of AI generated content produces hyperrealistic versions of reality: images and narratives so shiny and polished that they end up merging with the desires and fears of those who, faced with a deluge of stimuli, seek to absorb large doses of truth quickly and with minimal effort.
This condition extends far beyond an individual epistemological dilemma. Rather, it signals deep structural shifts, accelerated by unprecedented instruments for representing and understanding the world. The annual program LAB 5 The Mechanics of Truth turns its attention to the technological apparatuses and logics that are redefining the parameters of the real and examines their relationship with new communities, emerging aesthetics, ideological formations, propaganda techniques, and new industrial sectors.
The speed and ubiquity of these transformations are often disorienting, fostering distrust, technophobia, and even paranoia. Yet what other responses are taking shape in this scenario? Do such systems of knowledge production enhance our ability to grasp complexity, or do they instead erode it? Do they amplify voices that were previously marginalized, or do they become subtler instruments of manipulation and control? Can the need to unravel unequivocal fragments of truth coexist with the acceptance of more stratified and complex ways of knowledge production?
LAB 5 The Mechanics of Truth brings together creators and researchers from diverse fields to approach these phenomena not merely as symptoms of technological evolution, but as signs of a broader transformation of the public sphere—one that calls for new forms of literacy.
For artists, designers, scientists, technologists, and rebellious ethnographers, the program is conceived as a space for shared inquiry: a place to engage with emerging issues, experiment with creative methods, and test forms of collaboration capable of illuminating patterns and mechanisms that are in continuous transformation.
As a starting point, these are the areas we would like to explore:
A recurring program focused on creation, experimentation, and professional development for artists, designers, researchers, journalists, technologists, scientists, and students from any discipline or field.
May 7 - 9
Estudio de Sistemas 1 - Anatomy of non-fact
With Martyna Marciniak
May 27
Estudio de Sistemas 2 - Mind Reading Machines: From animal magnetism to brain engineering
with Gala Hernández López
June 4 - 6
Estudio de Sistemas 3 - Cognitive Warfare: Design Your Own Neuroweapon
June 25 - 27
Estudio de Sistemas 4 - Autopsy of a data trail
with Júlia Nueno Guitart & Lucia Rebolino
September 24 - 25
Estudio de Sistemas 5 - The Colonial Render
October 9 - 10
Estudio de Sistemas 6 - Digital Occultism
October 16 - 17
Estudio de Sistemas 7 - Exocapitalism
A residency program for the creation of experimental technocultural projects, open to 25 participants and mentored by leading international professionals: Júlia Nueno Guitart, Lucia Rebolino, and Sophie Publig.
Residency: November 12 - 25, 2026
Deadline for applications: June 14, 2026
Venue: Matadero Madrid, Nave Una
Opening: October 15 - Until December 13
Program available on September 15
November 26 - 28, 2026
A festival featuring lectures, project presentations, workshops, professional networking events, and performances
LAB 5 Image Design: Abuela Studio